In 2025, KM21 presents an exhibition by Dutch artist Magali Reus in the form of an installation with both existing and new work.
Reus, who is known for her sculptures of distorted or enlarged everyday objects, will enter into a dialogue with the Hague designer T.A.C. Colenbrander (1841-1930), a number of whose carpets and other objects will be on display. Reus will thus create and associative space in which the symbiosis of the two makers is highlighted.
Pictured: What Grows (Red Roses) (detail), Magali Reus, 2022
With the new exhibition series Call and Response, Kunstinstituut Melly will present two double solo exhibitions annually from 2024 onwards. In this format, two internationally renowned artists each develop new work that is on display simultaneously, while responding to a changing world.
Pictured: Bewaard, Sijben Rosa, 2023
Cráter Invertido is a collective of eleven artists and activists from Mexico City. In honour of the fifteenth anniversary of the collective, Framer Framed will present a retrospective exhibition of their body of work in 2025, including new commissioned pieces.
Cráter Invertido creates absurd stories through mediums such as (riso)prints and publications, drawings, puppets, video and radio. Their work focuses on subjects such as coexistence, care and the protection of areas where biodiversity is threatened.
De Ateliers annually invites twenty talented artists for a two-year residence in which to develop their artistic practice under the best possible circumstances.
In 2020, De Ateliers launched a new Production Fund with support from Ammodo, which artists in residence may use to finance their practice. The fund promotes artistic experiment and gives the artists freedom to develop new ideas.
Pictured: work by Tash Keddy at Offspring 2022. Foto: Gert Jan van Rooij
Centraal Museum organises the first museological solo exhibition of the French artist Pauline Curnier Jardin in The Netherlands. The museum invited her to produce new work. Her new installation, called Adoration, will be presented alongside four existing works in a solo exhibition of the same name.
Pictured: Adoration, Pauline Curnier Jardin, 2022
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports the expansion of the Rijksakademie’s public talks programme. By organising talks and debates, the Rijksakademie creates a platform for reflection about contemporary art.
Pictured: Mamali Shafahi & Ali Eslami, Open Studios 2022 (photo: Sander van Wettum)
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports raising the residents’ personal work budget as well as the financing of costlier and more complex projects through a budget application system.
Pictured: Wouter van der Laan, Open Studios 2022 (photo: Sander van Wettum)
Next to a large film programme, International Film Festival Rotterdam annually presents various works which explore the boundaries of cinema. Its Art Directions section includes (film) installations, immersive media, artists’ moving image, expositions, music and performances.
Ammodo contributes to installations and performances within the Art Directions section which have never been shown in Europe before.
Pictured: DUCK (installation), Rachel Maclean, IFFR 2024
Bonnefantenmuseum presents the first-ever Dutch solo exhibition by Małgorzata Mirga-Tas (1978), a Polish artist who belongs to the Roma people. In her work, she celebrates Roma identity and tries to counter existing stereotypes while mixing the mythic and the everyday experience.
In the exhibition, Mirga-Tas will present a series of tapestries, a series of portraits of Roma civilians in Krakow and a new work pertaining to the history of Settela Steinbach, a girl from Limburg who was filmed as she was put on a train to Auschwitz. Steinbach became the face of the persecution of Jews in the Netherlands, but in 1994 it was revealed that she wasn’t Jewish, but rather belonged to the Roma people.
Pictured: Re-enchanting the World: March, Małgorzata Mirga-Tas, 2022
The Curatorial Programme is the training program for talented international curators at De Appel. For the period 2024-2026, the institute selects one or two curatorial collectives to immerse themselves in the Amsterdam art scene, conduct research in collaboration with tutors and experts, and develop exhibitions and a public programme for De Appel.
From 2024 onwards, the Curatorial Programme is focused on the collective curatorial practice. In doing so, De Appel builds upon the concept of ‘Lumbung’ introduced by ruangrupa during documenta 15 in the Western art sector. Lumbung refers to an Indonesian communal rice barn, symbolising the principles of collectivity, sharing and fair distribution of (financial) resources.
Pictured: The Curatorial Programme 2022, Super Feelings Episode 2. Photo Sander van Wettum.
In 2023, De Ateliers opens Woonhuis, a new experimental exhibition space for both current participants and alumni to present their work.
De Ateliers will also commission site-specific works and there will be readings, screenings and events.
Pictured: work by Sam Marshall Lockyer at Offspring 2022. Foto: Gert Jan van Rooij
Since 2015, the Eye Art & Film Prize is awarded annually to an artist working on the border between art and film. The winner receives a monetary prize to create new work and will be part of an exhibition at Eye.
Previous winners were Hito Steyerl (2015), Ben Rivers (2016), Wang Bing (2017), Francis Alÿs (2018), Meriem Bennani (2019), Kahlil Joseph (2020), Karrabing Film Collective (2021) and Saodat Ismailova (2022).
Pictured: Bibi Seshanbe, Saodat Ismailova (winnaar Eye Art & Film Prize 2022), installation at Documenta 15, 2022
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports the alumni network of the artist residency. By keeping former artists in residence involved with public programmes and by providing technical facilities and studio space, the Rijksakademie creates a valuable and lasting community of artists.
Pictured: Saemundur Thor Helgason, Open Studios 2022 (photo: Sander van Wettum)
Garden of Scars is the first solo exhibition in the Netherlands by Ghanese artist Ibrahim Mahama. For Amsterdam’s Oude Kerk, he creates an installation of around 800 memorial stones, consisting of casts of the church’s tombstones as well as pieces of floor from Fort Elmina in Ghana, a hub of trans-Atlantic slave trade.
In doing so, he connects the family histories of merchants, captains and mayors buried in the Oude Kerk to those of enslaved Africans.
Depicted: Garden of Scars in the Oude Kerk, Mike Bink
Twice annually, Oude Kerk Amsterdam invites an artist to create a site-specific work relating to the building’s architecture and history.
In 2024, Iranian visual artist Navid Nuur presents When Doubt Turns into Destiny, a solo exhibition in which he combines his own research into the neighbourhood to the notion of impermanence.
Bonnefantenmuseum presents the first Dutch solo exhibition by Lebanese-Dutch artist Mounira Al Solh (1978), whose work focuses on topics such as migration, displacement, trauma, language and identity. A recurring theme in her work are Middle-Eastern tents made from traditional materials which she co-creates with visitors, refugees and museum volunteers.
The exhibition will display one of these tents, as well as a number of paintings, tapestries and drawings, including new work by Al Solh. At Bonnefantenmuseum, she aims to give an homage to women who have been historically overlooked.
Pictured: Lackadaisical Sunset to Sunset, Mounira Al Solh, 2019
In a solo exhibition in the mezzanine of Stedelijk Museum Amsterdam, Nora Turato explores the function of language in a society flooded with information. What information sticks and what is ignored? She urges her audience to reevaluate their relation to language and its underlying power structures.
Pictured: Pool 2 (2018), Nora Turato
My Oma is a group exhibition around the symbolic figure of the grandmother and investigates themes such as mobility, affection and conflict.
The exhibition combines existing works and new commissions by various artists with connections to the Global South and marks the end of the six year directorship of curator Sofia Hernández Chong Cuy.
Pictured: Kenyalang Circus, Marcos Kueh, 2022
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports the Rijksakademie Open Studios, an annual exhibition where artists present their art to a wider audience. This much-anticipated event gives art professionals and art lovers alike a unique overview of the leading talents in contemporary art.
Pictured: Hend Samir, Open Studios 2022 (photo: Sander van Wettum)
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports the artists’ supervision by external advisors. By attracting advisors and guest advisors from various disciplines the Rijksakademie offers a wide range of input to their artists in residence.
Pictured: Takanori Suzuki, Open Studios 2022 (photo: Sander van Wettum)
Youth is German artist Anne Imhof’s first solo exhibition in the Netherlands. Using art, architecture, light and sound, Imhof will transform the basement gallery of the Stedelijk Museum Amsterdam into an uncanny installation.
In Youth, Imhof investigates the dark side of life. She questions dynamics of power and reflects on emotions such as loneliness, greed and the fear of missing out.
In 2025, KM21 presents an exhibition by Dutch artist Magali Reus in the form of an installation with both existing and new work.
Reus, who is known for her sculptures of distorted or enlarged everyday objects, will enter into a dialogue with the Hague designer T.A.C. Colenbrander (1841-1930), a number of whose carpets and other objects will be on display. Reus will thus create and associative space in which the symbiosis of the two makers is highlighted.
Pictured: What Grows (Red Roses) (detail), Magali Reus, 2022
Next to a large film programme, International Film Festival Rotterdam annually presents various works which explore the boundaries of cinema. Its Art Directions section includes (film) installations, immersive media, artists’ moving image, expositions, music and performances.
Ammodo contributes to installations and performances within the Art Directions section which have never been shown in Europe before.
Pictured: DUCK (installation), Rachel Maclean, IFFR 2024
Twice annually, Oude Kerk Amsterdam invites an artist to create a site-specific work relating to the building’s architecture and history.
In 2024, Iranian visual artist Navid Nuur presents When Doubt Turns into Destiny, a solo exhibition in which he combines his own research into the neighbourhood to the notion of impermanence.
With the new exhibition series Call and Response, Kunstinstituut Melly will present two double solo exhibitions annually from 2024 onwards. In this format, two internationally renowned artists each develop new work that is on display simultaneously, while responding to a changing world.
Pictured: Bewaard, Sijben Rosa, 2023
Bonnefantenmuseum presents the first-ever Dutch solo exhibition by Małgorzata Mirga-Tas (1978), a Polish artist who belongs to the Roma people. In her work, she celebrates Roma identity and tries to counter existing stereotypes while mixing the mythic and the everyday experience.
In the exhibition, Mirga-Tas will present a series of tapestries, a series of portraits of Roma civilians in Krakow and a new work pertaining to the history of Settela Steinbach, a girl from Limburg who was filmed as she was put on a train to Auschwitz. Steinbach became the face of the persecution of Jews in the Netherlands, but in 1994 it was revealed that she wasn’t Jewish, but rather belonged to the Roma people.
Pictured: Re-enchanting the World: March, Małgorzata Mirga-Tas, 2022
Bonnefantenmuseum presents the first Dutch solo exhibition by Lebanese-Dutch artist Mounira Al Solh (1978), whose work focuses on topics such as migration, displacement, trauma, language and identity. A recurring theme in her work are Middle-Eastern tents made from traditional materials which she co-creates with visitors, refugees and museum volunteers.
The exhibition will display one of these tents, as well as a number of paintings, tapestries and drawings, including new work by Al Solh. At Bonnefantenmuseum, she aims to give an homage to women who have been historically overlooked.
Pictured: Lackadaisical Sunset to Sunset, Mounira Al Solh, 2019
Cráter Invertido is a collective of eleven artists and activists from Mexico City. In honour of the fifteenth anniversary of the collective, Framer Framed will present a retrospective exhibition of their body of work in 2025, including new commissioned pieces.
Cráter Invertido creates absurd stories through mediums such as (riso)prints and publications, drawings, puppets, video and radio. Their work focuses on subjects such as coexistence, care and the protection of areas where biodiversity is threatened.
The Curatorial Programme is the training program for talented international curators at De Appel. For the period 2024-2026, the institute selects one or two curatorial collectives to immerse themselves in the Amsterdam art scene, conduct research in collaboration with tutors and experts, and develop exhibitions and a public programme for De Appel.
From 2024 onwards, the Curatorial Programme is focused on the collective curatorial practice. In doing so, De Appel builds upon the concept of ‘Lumbung’ introduced by ruangrupa during documenta 15 in the Western art sector. Lumbung refers to an Indonesian communal rice barn, symbolising the principles of collectivity, sharing and fair distribution of (financial) resources.
Pictured: The Curatorial Programme 2022, Super Feelings Episode 2. Photo Sander van Wettum.
In a solo exhibition in the mezzanine of Stedelijk Museum Amsterdam, Nora Turato explores the function of language in a society flooded with information. What information sticks and what is ignored? She urges her audience to reevaluate their relation to language and its underlying power structures.
Pictured: Pool 2 (2018), Nora Turato
De Ateliers annually invites twenty talented artists for a two-year residence in which to develop their artistic practice under the best possible circumstances.
In 2020, De Ateliers launched a new Production Fund with support from Ammodo, which artists in residence may use to finance their practice. The fund promotes artistic experiment and gives the artists freedom to develop new ideas.
Pictured: work by Tash Keddy at Offspring 2022. Foto: Gert Jan van Rooij
In 2023, De Ateliers opens Woonhuis, a new experimental exhibition space for both current participants and alumni to present their work.
De Ateliers will also commission site-specific works and there will be readings, screenings and events.
Pictured: work by Sam Marshall Lockyer at Offspring 2022. Foto: Gert Jan van Rooij
My Oma is a group exhibition around the symbolic figure of the grandmother and investigates themes such as mobility, affection and conflict.
The exhibition combines existing works and new commissions by various artists with connections to the Global South and marks the end of the six year directorship of curator Sofia Hernández Chong Cuy.
Pictured: Kenyalang Circus, Marcos Kueh, 2022
Centraal Museum organises the first museological solo exhibition of the French artist Pauline Curnier Jardin in The Netherlands. The museum invited her to produce new work. Her new installation, called Adoration, will be presented alongside four existing works in a solo exhibition of the same name.
Pictured: Adoration, Pauline Curnier Jardin, 2022
Since 2015, the Eye Art & Film Prize is awarded annually to an artist working on the border between art and film. The winner receives a monetary prize to create new work and will be part of an exhibition at Eye.
Previous winners were Hito Steyerl (2015), Ben Rivers (2016), Wang Bing (2017), Francis Alÿs (2018), Meriem Bennani (2019), Kahlil Joseph (2020), Karrabing Film Collective (2021) and Saodat Ismailova (2022).
Pictured: Bibi Seshanbe, Saodat Ismailova (winnaar Eye Art & Film Prize 2022), installation at Documenta 15, 2022
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports the Rijksakademie Open Studios, an annual exhibition where artists present their art to a wider audience. This much-anticipated event gives art professionals and art lovers alike a unique overview of the leading talents in contemporary art.
Pictured: Hend Samir, Open Studios 2022 (photo: Sander van Wettum)
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports the expansion of the Rijksakademie’s public talks programme. By organising talks and debates, the Rijksakademie creates a platform for reflection about contemporary art.
Pictured: Mamali Shafahi & Ali Eslami, Open Studios 2022 (photo: Sander van Wettum)
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports the alumni network of the artist residency. By keeping former artists in residence involved with public programmes and by providing technical facilities and studio space, the Rijksakademie creates a valuable and lasting community of artists.
Pictured: Saemundur Thor Helgason, Open Studios 2022 (photo: Sander van Wettum)
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports the artists’ supervision by external advisors. By attracting advisors and guest advisors from various disciplines the Rijksakademie offers a wide range of input to their artists in residence.
Pictured: Takanori Suzuki, Open Studios 2022 (photo: Sander van Wettum)
Rijksakademie van Beeldende Kunsten gives talented artists from around the world the opportunity to develop their art under optimal conditions during a two-year artist residency.
Ammodo supports raising the residents’ personal work budget as well as the financing of costlier and more complex projects through a budget application system.
Pictured: Wouter van der Laan, Open Studios 2022 (photo: Sander van Wettum)
Garden of Scars is the first solo exhibition in the Netherlands by Ghanese artist Ibrahim Mahama. For Amsterdam’s Oude Kerk, he creates an installation of around 800 memorial stones, consisting of casts of the church’s tombstones as well as pieces of floor from Fort Elmina in Ghana, a hub of trans-Atlantic slave trade.
In doing so, he connects the family histories of merchants, captains and mayors buried in the Oude Kerk to those of enslaved Africans.
Depicted: Garden of Scars in the Oude Kerk, Mike Bink
Youth is German artist Anne Imhof’s first solo exhibition in the Netherlands. Using art, architecture, light and sound, Imhof will transform the basement gallery of the Stedelijk Museum Amsterdam into an uncanny installation.
In Youth, Imhof investigates the dark side of life. She questions dynamics of power and reflects on emotions such as loneliness, greed and the fear of missing out.