Every year P/////AKT presents an exhibition series consisting of six conceptually connected solo exhibitions by emerging artists. The series offers talented young artists the opportunity to develop new work, gain experience in setting up a solo exhibition and the chance to attract a relevant audience. Participating artists include Kasper Bosmans, Raphael Langmair, Tim Hollander and Michiel Hilbrink. Ammodo has supported the exhibition programme of P/////AKT since 2015 because it contributes to the artistic development of the participating artists and contributes to the visibility of their work.
Daniel vom Keller, tentoonstellingsoverzicht Rear View, 2014, photo: Charlott Markus
For the first time in the history of documenta the art manifestation is presented in two cities. From the 8th of April until the 16th of July 2017 documenta 14: Learning From Athens is being presented in Athens and starting on the 10th of June and running until the 17th of September 2017 documenta will take place in Kassel. The exhibitions are autonomous, but are being presented in part simultaneously and are strongly related. Adam Szymczyk has been appointed as artistic director of documenta 14. Ammodo supports the making of some of the performances, which have been integrated in the overall programme of documenta 14.
Mounira Al Solh, Sperveri, tentoonstellingsoverzicht, photo: Yiannis Hadjiaslanis
If I Can’t Dance I Don’t Want To Be Part Of Your Revolution focuses on the development of new performance productions. Over a period of two years the organisation accompanies four artists and four curators during the development of new work. If I Can’t Dance has organised the Performance Days since 2014 where the new work has it’s première. In the forthcoming period If I Can’t Dance will work together with Leonor Antunes, Erin Alexa Freedman & Lili Huston-Hertrich, Alex Martinis Roe, Fred Moten and Wu Tsang, Peter Pál Pelbárt, Naufus Ramírez-Figueroa, Joke Robaard and Vivian Ziherl. Ammodo supports Performance Days because it contributes both to the development of the participating artists and curators and to the development of new performance art productions.
Naufus Ramírez Figueroa, Mimesis of Mimesis, 2016, photo: Florian Braakman
Museum Boijmans Van Beuningen presents Ugo Rondinone – Vocabulary of Solitude: the first, comprehensive mid-career solo exhibition of the works of Swiss artist Ugo Rondinone (1964). Rondinone had his breakthrough in the nineties with his spatial installations, in which he combined various disciplines such as light, sound and architecture. Clowns and rainbows are recurring themes in his work and also prevail in this exhibition. Ugo Rondinone – Vocabulary of Solitude consists of 45 sculptures of lifelike clowns, captured in everyday actions, which have not been exhibited before. Ammodo supports the exhibition to contribute to the exposure of Rondinone’s work in it’s entirety.
Exhibitionoverview, Vocabulary of Solitude, 2016, photo: Stefan Altenburger
Dai Hanzhi: 5000 Artists is an exhibition of works by Chinese artists with whom Hans van Dijk (1946-2002), or Dai Hanzhi as he was known in China, worked when he was active in the ’90s in China as a curator, art historian and gallery owner. The programme includes two exhibitions in Beijing and Rotterdam, and aims to give Van Dijk’s work visibility and recognition. Ammodo supports Dai Hanzhi: 5000 Artists to contribute to the development and opening up of the contemporary art scene in China and, in particular, to honour the work of Hans van Dijk.
Hans van Dijk in his studyroom, photo: Zhang Haier
Ed Atkins: Recent Ouija is the first major solo exhibition of British artist Ed Atkins (1982) in the Netherlands. Atkins is known for his use of the latest digital media technologies such as high definition cameras, projectors and digital editing. His work investigates the impact of a hyperreal virtual world on the viewer’s physical reality. For his presentation at the Stedelijk Museum Amsterdam Atkins takes over the large downstairs gallery in the new building to create an environment of video images, Dolby surround sound, collages and drawings. Nine recently developed works are displayed. Ammodo supports Ed Atkins: Recently Ouija to contribute to the development of Ed Atkins and the recognition of his work.
Ed Atkins, Recent Ouija, 2015, photo: Gert-Jan van Rooij
Since 2011 De Nieuwe Kerk Amsterdam presents an annual series of exhibitions with international masterpieces. Each year Masterpiece exhibits a piece of art of the highest quality in the church space. A prerequisite for selection is that the work has either never been seen in the Netherlands before, or at least not for a very long time. In addition to being of a very high quality the pieces chosen are also of a spiritual or religious nature. Ammodo supports Masterpiece to contribute to the development of exhibition concepts in De Nieuwe Kerk Amsterdam.
El Greco, Pentecostés (Pinksteren), ca. 1600, Photographic Archive
RAW Academy is a postgraduate course for international artists, curators and critics in Dakar, initiated by Koyo Kouoh, curator and founder of Raw Material Company. In Senegal, the traditional academies are dominant and there are few opportunities for young artists who have completed their training to continue to develop in an innovative and independent manner. Ammodo supports RAW Academy as a way of contributing to the creation of a high-quality postgraduate institution in Senegal and promoting the exchange between different artistic media.
The base, photo: RAW Material Company
Geography of Time is the first major mid-career exhibition of the established artist Fiona Tan (Sumatra, 1966). Fiona is currently based in the Netherlands. The exhibition presents both earlier major works, such as the double projection, Rise and Fall (2009), and her most recent work. Tan is developing an installation environment that compliments the architecture of the MMK Frankfurt museum specially for the exhibition. Ammodo is supporting Geography of Time in order to contribute to the visibility and the artistic development of Fiona Tan.
Fiona Tan, videostill from Nellie, 2013
EYE on Art is a series of exhibitions which straddles the border between visual arts and film. EYE presents a different artist in this series each year. EYE on Art gives the participating artists the opportunity to present their work in a museum environment which is technically equipped for displaying video installations. The first exhibition to be presented by EYE in this series is If We Ever Get to Heaven, an exhibition with new work by William Kentridge (Johannesburg, 1955). Ammodo supports Eye on Art as a way of contributing to the establishment of trans-disciplinary exhibitions, the development of the participating artists and the formation of an international discourse concerning visual arts and video art.
William Kentridge, videostill from More Sweetly play the Dance, 2015
The exhibition Bit Rot focuses on the influential thinker and author Douglas Coupland (1961) and reveals the mind of the artist. The exhibition combines his own work with pieces loaned from his own collection. In the Spring of 2015 Coupland was a resident artist at the Google Cultural Institute in Paris. The result of this project, The Living Internet, also forms part of the exhibition. An eponymous paperback has been published alongside the exhibition; the book includes new and existing short stories by the artist. The title Bit Rot refers to the phenomenon of spontaneous decomposition of digital data. Ammodo supports Bit Rot because through this exhibition Witte de With Centre for Contemporary Art offers insight into the versatility of an influential thinker and creator.
Exhibitionoverview, Bit Rot, 2015, photo: Cassander Eeftinck-Schattenkerk
The solo exhibition Marlene Dumas: The Image as Burden provides an unique overview of the work of Marlene Dumas. Dumas’ retrospective exhibition presents around two hundred paintings and drawings dating from the late ‘70s through to today: the most extensive collection that has yet been seen in Europe. The works on display are largely drawn from international private and museum collections and include key pieces such as The Painter, Models, The White Disease, Dead Marilyn and the recent series of drawings Great Man. Ammodo supports Marlene Dumas: The Image as Burden to contribute to the development and enhancement of the work of Marlene Dumas.
Marlene Dumas: The Image as Burden, Stedelijk Museum Amsterdam, 2014, photo: Gert Jan van Rooij
Moderation(s) is an exchange project between Witte de With and Spring Workshop in Hong Kong being led by the Malaysian artist and writer Heman Chong (1977). During the course of a little more than a year, exhibitions, residencies and a performance programme are being organized. Ammodo supports Moderation(s) to contribute to the development and opening up of the local Asian contemporary art scene.
Moderation(s), by Tai Po with Ho Sin Tung, 29 January 2013
Dutch Masters from the Hermitage is a major retrospective exhibition at the Hermitage Amsterdam displaying work by the Dutch Masters of the 17th century which form part of the collection of the Hermitage in St Petersburg. Alongside work by Rembrandt, pieces by other Dutch masters from the Golden Age will be exhibited including Abraham Bloemaert, Frans Hals, Jacob van Ruisdael, Jan Steen and Joachim Wtewael. Many of these works have not been seen outside St. Petersburg before: this exhibition allows them to be seen in their country of origin for the first time. Ammodo is supporting Dutch Masters from the Hermitage so that this special retrospective can be achieved in the Netherlands.
Dutch Masters: Rembrandt, Young woman with earrings, 1657
Kunstverein is a curatorial office for experiment and debate. The organisation adopts avant-garde positions in the production of culture. Kunstverein organizes exhibitions, performances and social events and is active as a publicist of independent publications. Ammodo supports Kunstverein as a way of contributing to the development and deepening of new models in exhibiting and collaboration at both a national and international level.
De Hallen in Haarlem presents What the Heart Wants: a solo exhibition with new and renowned work of the Belgian-American artist Cécile B. Evans. Commisioned by the museum Evans made the video-installation What the Heart Wants, in which she presents a scenario for the future with an omnipotent system with human characteristics named HYPER. In this work she speculates about the impact of technology on society and our sense of emotions. Ammodo supports What the Heart Wants to contribute to the development of Cécile B. Evans and the visibility of her work.
Cécile B. Evans, What the Heart Wants, 2016
The solo exhibition Geometry of the Scattering includes new work by visual and performance artist Germaine Kruip (1970). In addition to new pieces such as A Square, spoken (2015) and Oude Kerk Untitled (2015), the exhibition includes previously completed work including Column Untitled (2011-2015) and A Room 24 Hours (2010), adapted for the exhibition to the ecclesiastical space. In addition to the exhibition, the Oude Kerk organises a series of debates, lectures and a preview of the new performance Geometry of the Scattering in the Veem House for Performance. Ammodo supports Geometry of the Scattering because by presenting this exhibition the Oude Kerk is contributing to the development of Germaine Kruip and the further exposure of her work.
Germaine Kruip, Kannadi from Square to Circle, 2015, photo: Maxime Faucconier
Not Making Sense as Something Else is an exhibition series in which P/////AKT presents six solo exhibitions by emerging artists. The series offers talented young artists the opportunity to develop new work, gain experience in organizing a solo exhibition and to engage with a relevant audience. The participating artists are Bram de Jonghe, Dan Walwin, Bas van den Hurk & Hans Delmeulenaere, Claudia Pagès & Ulijona Odišarija, Roderick Hietbrink and Kasper Bosmans. Each is invited to develop new work to exhibit in P/////AKT. By supporting this initiative, Ammodo aims to contribute to both the artistic development of the artists and to the visibility of their work.
Bas Van Den Hurk & Hans Demeulenaere + guest artists Lorelinde Verhees & Koenraad Dedobbeleer, Politics of Installation, part 2, 2015
Global Collaborations is a three-year programme through which the Stedelijk Museum Bureau Amsterdam (SMBA) attempts to form an approach to the developments in contemporary art from non-Western regions. The project focuses in particular on collaborations with art institutions in Africa, the Middle East and Southeast Asia, a symposium, and a series of six exhibitions with accompanying publications and an online platform. Ammodo supports Global Collaborations to contribute to a sustainable embedding of non-Western art in museum policy.
How Far How Near, 2014, photo: Gert-Jan van Rooij
Through the international exhibition Lissitzky – Kabakov, Utopia and Reality the Van Abbemuseum brought the oeuvres of renowned Russian artists, Ilya and Emilia Kabakov and El Lissitzky together for the first time. Following on from the Van Abbemuseum it could be seen in the Hermitage in St. Petersburg and the Multimedia Art Museum (MAMM) in Moscow. Ammodo supports Lissitzky – Kabakov, Utopia and Reality to bring the early Soviet avant-garde art and the art that emerged at the end of the Soviet era to a larger public audience and to help stimulate new insights in the discourse concerning art history in the twenty-first century.
El Lissitzky, Prounenraum, 1923 (reconstructie uit 1971), photo: Peter Cox
Together with the Metropolitan Museum of Art in New York, the Rijksmuseum organises the exhibition Hercules Segers Wonderland. The Rijksmuseum has the largest collection of Segers work in the world. The exhibition includes these works alongside (inter)national loans from London, Dresden, Paris and Berlin, amongst others to provide an overview of Seger’s work which is as complete as possible. Hercules Segers (1589/90 – 1633/38) was a celebrated printmaker, painter of landscapes, artist and artdealer. Ammodo supports Hercules Segers Wonderland to contribute to the creation of this exclusive retrospective.
Hercules Segers, Larch, ca. 1615 – 1630
Every year P/////AKT presents an exhibition series consisting of six conceptually connected solo exhibitions by emerging artists. The series offers talented young artists the opportunity to develop new work, gain experience in setting up a solo exhibition and the chance to attract a relevant audience. Participating artists include Kasper Bosmans, Raphael Langmair, Tim Hollander and Michiel Hilbrink. Ammodo has supported the exhibition programme of P/////AKT since 2015 because it contributes to the artistic development of the participating artists and contributes to the visibility of their work.
Daniel vom Keller, tentoonstellingsoverzicht Rear View, 2014, photo: Charlott Markus
RAW Academy is a postgraduate course for international artists, curators and critics in Dakar, initiated by Koyo Kouoh, curator and founder of Raw Material Company. In Senegal, the traditional academies are dominant and there are few opportunities for young artists who have completed their training to continue to develop in an innovative and independent manner. Ammodo supports RAW Academy as a way of contributing to the creation of a high-quality postgraduate institution in Senegal and promoting the exchange between different artistic media.
The base, photo: RAW Material Company
Kunstverein is a curatorial office for experiment and debate. The organisation adopts avant-garde positions in the production of culture. Kunstverein organizes exhibitions, performances and social events and is active as a publicist of independent publications. Ammodo supports Kunstverein as a way of contributing to the development and deepening of new models in exhibiting and collaboration at both a national and international level.
For the first time in the history of documenta the art manifestation is presented in two cities. From the 8th of April until the 16th of July 2017 documenta 14: Learning From Athens is being presented in Athens and starting on the 10th of June and running until the 17th of September 2017 documenta will take place in Kassel. The exhibitions are autonomous, but are being presented in part simultaneously and are strongly related. Adam Szymczyk has been appointed as artistic director of documenta 14. Ammodo supports the making of some of the performances, which have been integrated in the overall programme of documenta 14.
Mounira Al Solh, Sperveri, tentoonstellingsoverzicht, photo: Yiannis Hadjiaslanis
Geography of Time is the first major mid-career exhibition of the established artist Fiona Tan (Sumatra, 1966). Fiona is currently based in the Netherlands. The exhibition presents both earlier major works, such as the double projection, Rise and Fall (2009), and her most recent work. Tan is developing an installation environment that compliments the architecture of the MMK Frankfurt museum specially for the exhibition. Ammodo is supporting Geography of Time in order to contribute to the visibility and the artistic development of Fiona Tan.
Fiona Tan, videostill from Nellie, 2013
De Hallen in Haarlem presents What the Heart Wants: a solo exhibition with new and renowned work of the Belgian-American artist Cécile B. Evans. Commisioned by the museum Evans made the video-installation What the Heart Wants, in which she presents a scenario for the future with an omnipotent system with human characteristics named HYPER. In this work she speculates about the impact of technology on society and our sense of emotions. Ammodo supports What the Heart Wants to contribute to the development of Cécile B. Evans and the visibility of her work.
Cécile B. Evans, What the Heart Wants, 2016
If I Can’t Dance I Don’t Want To Be Part Of Your Revolution focuses on the development of new performance productions. Over a period of two years the organisation accompanies four artists and four curators during the development of new work. If I Can’t Dance has organised the Performance Days since 2014 where the new work has it’s première. In the forthcoming period If I Can’t Dance will work together with Leonor Antunes, Erin Alexa Freedman & Lili Huston-Hertrich, Alex Martinis Roe, Fred Moten and Wu Tsang, Peter Pál Pelbárt, Naufus Ramírez-Figueroa, Joke Robaard and Vivian Ziherl. Ammodo supports Performance Days because it contributes both to the development of the participating artists and curators and to the development of new performance art productions.
Naufus Ramírez Figueroa, Mimesis of Mimesis, 2016, photo: Florian Braakman
EYE on Art is a series of exhibitions which straddles the border between visual arts and film. EYE presents a different artist in this series each year. EYE on Art gives the participating artists the opportunity to present their work in a museum environment which is technically equipped for displaying video installations. The first exhibition to be presented by EYE in this series is If We Ever Get to Heaven, an exhibition with new work by William Kentridge (Johannesburg, 1955). Ammodo supports Eye on Art as a way of contributing to the establishment of trans-disciplinary exhibitions, the development of the participating artists and the formation of an international discourse concerning visual arts and video art.
William Kentridge, videostill from More Sweetly play the Dance, 2015
The solo exhibition Geometry of the Scattering includes new work by visual and performance artist Germaine Kruip (1970). In addition to new pieces such as A Square, spoken (2015) and Oude Kerk Untitled (2015), the exhibition includes previously completed work including Column Untitled (2011-2015) and A Room 24 Hours (2010), adapted for the exhibition to the ecclesiastical space. In addition to the exhibition, the Oude Kerk organises a series of debates, lectures and a preview of the new performance Geometry of the Scattering in the Veem House for Performance. Ammodo supports Geometry of the Scattering because by presenting this exhibition the Oude Kerk is contributing to the development of Germaine Kruip and the further exposure of her work.
Germaine Kruip, Kannadi from Square to Circle, 2015, photo: Maxime Faucconier
Museum Boijmans Van Beuningen presents Ugo Rondinone – Vocabulary of Solitude: the first, comprehensive mid-career solo exhibition of the works of Swiss artist Ugo Rondinone (1964). Rondinone had his breakthrough in the nineties with his spatial installations, in which he combined various disciplines such as light, sound and architecture. Clowns and rainbows are recurring themes in his work and also prevail in this exhibition. Ugo Rondinone – Vocabulary of Solitude consists of 45 sculptures of lifelike clowns, captured in everyday actions, which have not been exhibited before. Ammodo supports the exhibition to contribute to the exposure of Rondinone’s work in it’s entirety.
Exhibitionoverview, Vocabulary of Solitude, 2016, photo: Stefan Altenburger
The exhibition Bit Rot focuses on the influential thinker and author Douglas Coupland (1961) and reveals the mind of the artist. The exhibition combines his own work with pieces loaned from his own collection. In the Spring of 2015 Coupland was a resident artist at the Google Cultural Institute in Paris. The result of this project, The Living Internet, also forms part of the exhibition. An eponymous paperback has been published alongside the exhibition; the book includes new and existing short stories by the artist. The title Bit Rot refers to the phenomenon of spontaneous decomposition of digital data. Ammodo supports Bit Rot because through this exhibition Witte de With Centre for Contemporary Art offers insight into the versatility of an influential thinker and creator.
Exhibitionoverview, Bit Rot, 2015, photo: Cassander Eeftinck-Schattenkerk
Not Making Sense as Something Else is an exhibition series in which P/////AKT presents six solo exhibitions by emerging artists. The series offers talented young artists the opportunity to develop new work, gain experience in organizing a solo exhibition and to engage with a relevant audience. The participating artists are Bram de Jonghe, Dan Walwin, Bas van den Hurk & Hans Delmeulenaere, Claudia Pagès & Ulijona Odišarija, Roderick Hietbrink and Kasper Bosmans. Each is invited to develop new work to exhibit in P/////AKT. By supporting this initiative, Ammodo aims to contribute to both the artistic development of the artists and to the visibility of their work.
Bas Van Den Hurk & Hans Demeulenaere + guest artists Lorelinde Verhees & Koenraad Dedobbeleer, Politics of Installation, part 2, 2015
Dai Hanzhi: 5000 Artists is an exhibition of works by Chinese artists with whom Hans van Dijk (1946-2002), or Dai Hanzhi as he was known in China, worked when he was active in the ’90s in China as a curator, art historian and gallery owner. The programme includes two exhibitions in Beijing and Rotterdam, and aims to give Van Dijk’s work visibility and recognition. Ammodo supports Dai Hanzhi: 5000 Artists to contribute to the development and opening up of the contemporary art scene in China and, in particular, to honour the work of Hans van Dijk.
Hans van Dijk in his studyroom, photo: Zhang Haier
The solo exhibition Marlene Dumas: The Image as Burden provides an unique overview of the work of Marlene Dumas. Dumas’ retrospective exhibition presents around two hundred paintings and drawings dating from the late ‘70s through to today: the most extensive collection that has yet been seen in Europe. The works on display are largely drawn from international private and museum collections and include key pieces such as The Painter, Models, The White Disease, Dead Marilyn and the recent series of drawings Great Man. Ammodo supports Marlene Dumas: The Image as Burden to contribute to the development and enhancement of the work of Marlene Dumas.
Marlene Dumas: The Image as Burden, Stedelijk Museum Amsterdam, 2014, photo: Gert Jan van Rooij
Global Collaborations is a three-year programme through which the Stedelijk Museum Bureau Amsterdam (SMBA) attempts to form an approach to the developments in contemporary art from non-Western regions. The project focuses in particular on collaborations with art institutions in Africa, the Middle East and Southeast Asia, a symposium, and a series of six exhibitions with accompanying publications and an online platform. Ammodo supports Global Collaborations to contribute to a sustainable embedding of non-Western art in museum policy.
How Far How Near, 2014, photo: Gert-Jan van Rooij
Ed Atkins: Recent Ouija is the first major solo exhibition of British artist Ed Atkins (1982) in the Netherlands. Atkins is known for his use of the latest digital media technologies such as high definition cameras, projectors and digital editing. His work investigates the impact of a hyperreal virtual world on the viewer’s physical reality. For his presentation at the Stedelijk Museum Amsterdam Atkins takes over the large downstairs gallery in the new building to create an environment of video images, Dolby surround sound, collages and drawings. Nine recently developed works are displayed. Ammodo supports Ed Atkins: Recently Ouija to contribute to the development of Ed Atkins and the recognition of his work.
Ed Atkins, Recent Ouija, 2015, photo: Gert-Jan van Rooij
Moderation(s) is an exchange project between Witte de With and Spring Workshop in Hong Kong being led by the Malaysian artist and writer Heman Chong (1977). During the course of a little more than a year, exhibitions, residencies and a performance programme are being organized. Ammodo supports Moderation(s) to contribute to the development and opening up of the local Asian contemporary art scene.
Moderation(s), by Tai Po with Ho Sin Tung, 29 January 2013
Through the international exhibition Lissitzky – Kabakov, Utopia and Reality the Van Abbemuseum brought the oeuvres of renowned Russian artists, Ilya and Emilia Kabakov and El Lissitzky together for the first time. Following on from the Van Abbemuseum it could be seen in the Hermitage in St. Petersburg and the Multimedia Art Museum (MAMM) in Moscow. Ammodo supports Lissitzky – Kabakov, Utopia and Reality to bring the early Soviet avant-garde art and the art that emerged at the end of the Soviet era to a larger public audience and to help stimulate new insights in the discourse concerning art history in the twenty-first century.
El Lissitzky, Prounenraum, 1923 (reconstructie uit 1971), photo: Peter Cox
Since 2011 De Nieuwe Kerk Amsterdam presents an annual series of exhibitions with international masterpieces. Each year Masterpiece exhibits a piece of art of the highest quality in the church space. A prerequisite for selection is that the work has either never been seen in the Netherlands before, or at least not for a very long time. In addition to being of a very high quality the pieces chosen are also of a spiritual or religious nature. Ammodo supports Masterpiece to contribute to the development of exhibition concepts in De Nieuwe Kerk Amsterdam.
El Greco, Pentecostés (Pinksteren), ca. 1600, Photographic Archive
Dutch Masters from the Hermitage is a major retrospective exhibition at the Hermitage Amsterdam displaying work by the Dutch Masters of the 17th century which form part of the collection of the Hermitage in St Petersburg. Alongside work by Rembrandt, pieces by other Dutch masters from the Golden Age will be exhibited including Abraham Bloemaert, Frans Hals, Jacob van Ruisdael, Jan Steen and Joachim Wtewael. Many of these works have not been seen outside St. Petersburg before: this exhibition allows them to be seen in their country of origin for the first time. Ammodo is supporting Dutch Masters from the Hermitage so that this special retrospective can be achieved in the Netherlands.
Dutch Masters: Rembrandt, Young woman with earrings, 1657
Together with the Metropolitan Museum of Art in New York, the Rijksmuseum organises the exhibition Hercules Segers Wonderland. The Rijksmuseum has the largest collection of Segers work in the world. The exhibition includes these works alongside (inter)national loans from London, Dresden, Paris and Berlin, amongst others to provide an overview of Seger’s work which is as complete as possible. Hercules Segers (1589/90 – 1633/38) was a celebrated printmaker, painter of landscapes, artist and artdealer. Ammodo supports Hercules Segers Wonderland to contribute to the creation of this exclusive retrospective.
Hercules Segers, Larch, ca. 1615 – 1630