In 2025, KM21 presents an exhibition by Dutch artist Magali Reus in the form of an installation with both existing and new work.
Reus, who is known for her sculptures of distorted or enlarged everyday objects, will enter into a dialogue with the Hague designer T.A.C. Colenbrander (1841-1930), a number of whose carpets and other objects will be on display. Reus will thus create and associative space in which the symbiosis of the two makers is highlighted.
Pictured: What Grows (Red Roses) (detail), Magali Reus, 2022
Next to a large film programme, International Film Festival Rotterdam annually presents various works which explore the boundaries of cinema. Its Art Directions section includes (film) installations, immersive media, artists’ moving image, expositions, music and performances.
Ammodo contributes to installations and performances within the Art Directions section which have never been shown in Europe before.
Pictured: DUCK (installation), Rachel Maclean, IFFR 2024
Twice annually, Oude Kerk Amsterdam invites an artist to create a site-specific work relating to the building’s architecture and history.
In 2024, Iranian visual artist Navid Nuur presents When Doubt Turns into Destiny, a solo exhibition in which he combines his own research into the neighbourhood to the notion of impermanence.
Ammodo contributes to two new operas by composer Michel van der Aa.
In 2023, Ammodo Docs released the short documentary In Between Realities about the work of Michel van der Aa.
Pictured: Upload, Michel van der Aa, 2020
Bonnefantenmuseum presents the first-ever Dutch solo exhibition by Małgorzata Mirga-Tas (1978), a Polish artist who belongs to the Roma people. In her work, she celebrates Roma identity and tries to counter existing stereotypes while mixing the mythic and the everyday experience.
In the exhibition, Mirga-Tas will present a series of tapestries, a series of portraits of Roma civilians in Krakow and a new work pertaining to the history of Settela Steinbach, a girl from Limburg who was filmed as she was put on a train to Auschwitz. Steinbach became the face of the persecution of Jews in the Netherlands, but in 1994 it was revealed that she wasn’t Jewish, but rather belonged to the Roma people.
Pictured: Re-enchanting the World: March, Małgorzata Mirga-Tas, 2022
The Curatorial Programme is the training program for talented international curators at De Appel. For the period 2024-2026, the institute selects one or two curatorial collectives to immerse themselves in the Amsterdam art scene, conduct research in collaboration with tutors and experts, and develop exhibitions and a public programme for De Appel.
From 2024 onwards, the Curatorial Programme is focused on the collective curatorial practice. In doing so, De Appel builds upon the concept of ‘Lumbung’ introduced by ruangrupa during documenta 15 in the Western art sector. Lumbung refers to an Indonesian communal rice barn, symbolising the principles of collectivity, sharing and fair distribution of (financial) resources.
Pictured: The Curatorial Programme 2022, Super Feelings Episode 2. Photo Sander van Wettum.
In a solo exhibition in the mezzanine of Stedelijk Museum Amsterdam, Nora Turato explores the function of language in a society flooded with information. What information sticks and what is ignored? She urges her audience to reevaluate their relation to language and its underlying power structures.
Pictured: Pool 2 (2018), Nora Turato
With BIMHUIS Productions, BIMHUIS contributes to a vibrant jazz scene by developing new work and supporting talented musicians and composers.
Part of this initiative is Reflex, a programme in which BIMHUIS acts as a (co-)producer of large-scale (inter)national productions. Musicians and creators are invited to reflect on global and societal developments through their work. This has resulted in new musical pieces by trumpeter Alistair Payne, guitarist Reinier Baas, singer Sanem Kalfa and others.
Pictured: Nicolò Ricci (Reflex 2024)
Alida Dors is choreographer, theater director and artistic director of Theater Rotterdam. Her new production (Sur)render is an interdisciplinary performance combining dance, video, poetry, spoken word and live music about humanity’s disturbed relation to nature and to each other. (Sur)render premiers at Theater Rotterdam in 2025 and will tour throughout the Netherlands.
Sancta is a large-scale international co-production and the first major opera directed by Austrian choreographer and performance artist Florentina Holzinger.
The opera, based on Paul Hindemith’s one-act Sancta Susanna (1922), investigates the relationship between music and the sacred. It draws inspiration from religious practices and will take the form of a service dedicated to themes such as salvation, purification and martyrdom in the 21st century.
With the new exhibition series Call and Response, Kunstinstituut Melly will present two double solo exhibitions annually from 2024 onwards. In this format, two internationally renowned artists each develop new work that is on display simultaneously, while responding to a changing world.
Pictured: Bewaard, Sijben Rosa, 2023
Bonnefantenmuseum presents the first Dutch solo exhibition by Lebanese-Dutch artist Mounira Al Solh (1978), whose work focuses on topics such as migration, displacement, trauma, language and identity. A recurring theme in her work are Middle-Eastern tents made from traditional materials which she co-creates with visitors, refugees and museum volunteers.
The exhibition will display one of these tents, as well as a number of paintings, tapestries and drawings, including new work by Al Solh. At Bonnefantenmuseum, she aims to give an homage to women who have been historically overlooked.
Pictured: Lackadaisical Sunset to Sunset, Mounira Al Solh, 2019
The artist duo Suzan Boogaerdt and Bianca van der Schoot combines performance and (video) installations. They call their field of operations the ‘grey space’: the zone between the black box (theatre) and the white cube (museum).
This approach is evident in their New Body Project, which they will present in 2024 – a diptych about mourning lost bodies and embodying a new world.
The first part, called WOMBTOMBS, is presented at MU Hybrid Art House in Eindhoven in spring of 2024. It consists of a series of hiding places that are both memorial sites and incubators. These spaces can be visited by the public and will host performances at certain times.
The second part, SONGOFSONGS, takes the form of a multimedia performance which will tour across the Netherlands in the fall of 2024. Here, new forms of existence are presented which were developed in the WOMBTOMBS, merging human, technological and digital ‘bodies’.
Photo: Annaleen Louwes
As in previous years, Muziekgebouw aan ‘t IJ will (co-)produce three new compositions in contemporary music annually between 2024 and 2027. Dutch and international composers will get the chance to develop their practice and present their own contribution to the canon of contemporary music.
All pieces will celebrate their world premiere at Muziekgebouw. The performances are realised in cooperation with Dutch and international partners including Asko|Schönberg, Cappella Amsterdam, Klangforum Wien and Collegium Vocale Gent.
With BIMHUIS Productions, BIMHUIS contributes to a vibrant jazz scene by developing new work and supporting talented musicians and composers.
Each year, BIMHUIS commissions a composition from an internationally renowned composer – in the past, this has included Kaja Draksler (2023) and Martin Fondse (2022).
Pictured: Kaja Draksler and band (BIMHUIS composition assignment 2023)
The 60th edition of the International Art Exhibition of La Biennale di Venezia takes place from 20 April until 24 November 2024. This year’s curator of the exhibition is Adriano Pedrosa from Brazil.
Ammodo supports the performance programme that forms part of the main exhibition Stranieri Ovunque – Foreigners Everywhere. Eight internationally renowned artists will develop a performance piece for the Biennale: Ahmed Umar, Antonio Jose Guzman & Iva Jankovic, Bárbara Sánchez-Kane, Güneş Terkol, Isaac Chong Wai, Joshua Serafin, Lydia Ourahmane and Puppies Puppies (Jade Guanaro Kuriki-Olivo).
Three times left is right is a theater production by interdisciplinary artist Julian Hetzel about living together in times of radical political ideologies.
The piece is inspired by the controversial book Living with the Left by new-right intellectual Caroline Sommerfeld and her marriage to left-wing sociologist Helmut Lethen.
With Three times left is right, Julian Hetzel continues a long-running investigation into emotions – in this case, hate as a driving force for right-wing radicalism, and love as a survival strategy in times of war.
The play will premiere in 2025 at the Wiener Festwochen and will subsequently be shown in Leipzig and Utrecht (SPRING festival).
Pictured: There Will Be Light, Julian Hetzel, 2022
Festival d’Aix-en-Provence, led by Pierre Audi since 2019, is the largest opera festival in France. The festival presents new recitals of existing works as well as new contemporary (opera) productions.
Ammodo supports the development of two new operas per year for the 2025, 2026 and 2027 festival editions.
Pictured: The Faggots and Their Friends Between Revolutions by Ted Huffman and Philipp Venables, Festival d’Aix-en-Provence 2023
Cráter Invertido is a collective of eleven artists and activists from Mexico City. In honour of the fifteenth anniversary of the collective, Framer Framed will present a retrospective exhibition of their body of work in 2025, including new commissioned pieces.
Cráter Invertido creates absurd stories through mediums such as (riso)prints and publications, drawings, puppets, video and radio. Their work focuses on subjects such as coexistence, care and the protection of areas where biodiversity is threatened.
Toneelschuur Productions has selected five young directors to create several new theatre productions in the coming years. These are Abdel Daoudi, Jessie L’Herminez, Koen Verheijden, Angelo Ormskerk and Agnese Kumpina.
Each season, at least four new plays will see their premiere. In addition, Toneelschuur Productions has reserved space for ad hoc productions by guest directors.
Pictured: Dieven, Jessie L’Herminez, 2023
The Ruhrtriennale is a renowned annual performing-arts festival in the German Ruhr area. A new artistic leader is appointed every three years. From 2024 to 2026, the festival is led by former ITA director Ivo van Hove. During this period, Ammodo supports several new (co-)productions each year which will premiere at the Ruhrtriennale and are created in cooperation with international partners, including ITA.
In 2025, KM21 presents an exhibition by Dutch artist Magali Reus in the form of an installation with both existing and new work.
Reus, who is known for her sculptures of distorted or enlarged everyday objects, will enter into a dialogue with the Hague designer T.A.C. Colenbrander (1841-1930), a number of whose carpets and other objects will be on display. Reus will thus create and associative space in which the symbiosis of the two makers is highlighted.
Pictured: What Grows (Red Roses) (detail), Magali Reus, 2022
With BIMHUIS Productions, BIMHUIS contributes to a vibrant jazz scene by developing new work and supporting talented musicians and composers.
Part of this initiative is Reflex, a programme in which BIMHUIS acts as a (co-)producer of large-scale (inter)national productions. Musicians and creators are invited to reflect on global and societal developments through their work. This has resulted in new musical pieces by trumpeter Alistair Payne, guitarist Reinier Baas, singer Sanem Kalfa and others.
Pictured: Nicolò Ricci (Reflex 2024)
With BIMHUIS Productions, BIMHUIS contributes to a vibrant jazz scene by developing new work and supporting talented musicians and composers.
Each year, BIMHUIS commissions a composition from an internationally renowned composer – in the past, this has included Kaja Draksler (2023) and Martin Fondse (2022).
Pictured: Kaja Draksler and band (BIMHUIS composition assignment 2023)
Next to a large film programme, International Film Festival Rotterdam annually presents various works which explore the boundaries of cinema. Its Art Directions section includes (film) installations, immersive media, artists’ moving image, expositions, music and performances.
Ammodo contributes to installations and performances within the Art Directions section which have never been shown in Europe before.
Pictured: DUCK (installation), Rachel Maclean, IFFR 2024
Alida Dors is choreographer, theater director and artistic director of Theater Rotterdam. Her new production (Sur)render is an interdisciplinary performance combining dance, video, poetry, spoken word and live music about humanity’s disturbed relation to nature and to each other. (Sur)render premiers at Theater Rotterdam in 2025 and will tour throughout the Netherlands.
The 60th edition of the International Art Exhibition of La Biennale di Venezia takes place from 20 April until 24 November 2024. This year’s curator of the exhibition is Adriano Pedrosa from Brazil.
Ammodo supports the performance programme that forms part of the main exhibition Stranieri Ovunque – Foreigners Everywhere. Eight internationally renowned artists will develop a performance piece for the Biennale: Ahmed Umar, Antonio Jose Guzman & Iva Jankovic, Bárbara Sánchez-Kane, Güneş Terkol, Isaac Chong Wai, Joshua Serafin, Lydia Ourahmane and Puppies Puppies (Jade Guanaro Kuriki-Olivo).
Twice annually, Oude Kerk Amsterdam invites an artist to create a site-specific work relating to the building’s architecture and history.
In 2024, Iranian visual artist Navid Nuur presents When Doubt Turns into Destiny, a solo exhibition in which he combines his own research into the neighbourhood to the notion of impermanence.
Sancta is a large-scale international co-production and the first major opera directed by Austrian choreographer and performance artist Florentina Holzinger.
The opera, based on Paul Hindemith’s one-act Sancta Susanna (1922), investigates the relationship between music and the sacred. It draws inspiration from religious practices and will take the form of a service dedicated to themes such as salvation, purification and martyrdom in the 21st century.
Three times left is right is a theater production by interdisciplinary artist Julian Hetzel about living together in times of radical political ideologies.
The piece is inspired by the controversial book Living with the Left by new-right intellectual Caroline Sommerfeld and her marriage to left-wing sociologist Helmut Lethen.
With Three times left is right, Julian Hetzel continues a long-running investigation into emotions – in this case, hate as a driving force for right-wing radicalism, and love as a survival strategy in times of war.
The play will premiere in 2025 at the Wiener Festwochen and will subsequently be shown in Leipzig and Utrecht (SPRING festival).
Pictured: There Will Be Light, Julian Hetzel, 2022
Ammodo contributes to two new operas by composer Michel van der Aa.
In 2023, Ammodo Docs released the short documentary In Between Realities about the work of Michel van der Aa.
Pictured: Upload, Michel van der Aa, 2020
With the new exhibition series Call and Response, Kunstinstituut Melly will present two double solo exhibitions annually from 2024 onwards. In this format, two internationally renowned artists each develop new work that is on display simultaneously, while responding to a changing world.
Pictured: Bewaard, Sijben Rosa, 2023
Festival d’Aix-en-Provence, led by Pierre Audi since 2019, is the largest opera festival in France. The festival presents new recitals of existing works as well as new contemporary (opera) productions.
Ammodo supports the development of two new operas per year for the 2025, 2026 and 2027 festival editions.
Pictured: The Faggots and Their Friends Between Revolutions by Ted Huffman and Philipp Venables, Festival d’Aix-en-Provence 2023
Bonnefantenmuseum presents the first-ever Dutch solo exhibition by Małgorzata Mirga-Tas (1978), a Polish artist who belongs to the Roma people. In her work, she celebrates Roma identity and tries to counter existing stereotypes while mixing the mythic and the everyday experience.
In the exhibition, Mirga-Tas will present a series of tapestries, a series of portraits of Roma civilians in Krakow and a new work pertaining to the history of Settela Steinbach, a girl from Limburg who was filmed as she was put on a train to Auschwitz. Steinbach became the face of the persecution of Jews in the Netherlands, but in 1994 it was revealed that she wasn’t Jewish, but rather belonged to the Roma people.
Pictured: Re-enchanting the World: March, Małgorzata Mirga-Tas, 2022
Bonnefantenmuseum presents the first Dutch solo exhibition by Lebanese-Dutch artist Mounira Al Solh (1978), whose work focuses on topics such as migration, displacement, trauma, language and identity. A recurring theme in her work are Middle-Eastern tents made from traditional materials which she co-creates with visitors, refugees and museum volunteers.
The exhibition will display one of these tents, as well as a number of paintings, tapestries and drawings, including new work by Al Solh. At Bonnefantenmuseum, she aims to give an homage to women who have been historically overlooked.
Pictured: Lackadaisical Sunset to Sunset, Mounira Al Solh, 2019
Cráter Invertido is a collective of eleven artists and activists from Mexico City. In honour of the fifteenth anniversary of the collective, Framer Framed will present a retrospective exhibition of their body of work in 2025, including new commissioned pieces.
Cráter Invertido creates absurd stories through mediums such as (riso)prints and publications, drawings, puppets, video and radio. Their work focuses on subjects such as coexistence, care and the protection of areas where biodiversity is threatened.
The Curatorial Programme is the training program for talented international curators at De Appel. For the period 2024-2026, the institute selects one or two curatorial collectives to immerse themselves in the Amsterdam art scene, conduct research in collaboration with tutors and experts, and develop exhibitions and a public programme for De Appel.
From 2024 onwards, the Curatorial Programme is focused on the collective curatorial practice. In doing so, De Appel builds upon the concept of ‘Lumbung’ introduced by ruangrupa during documenta 15 in the Western art sector. Lumbung refers to an Indonesian communal rice barn, symbolising the principles of collectivity, sharing and fair distribution of (financial) resources.
Pictured: The Curatorial Programme 2022, Super Feelings Episode 2. Photo Sander van Wettum.
The artist duo Suzan Boogaerdt and Bianca van der Schoot combines performance and (video) installations. They call their field of operations the ‘grey space’: the zone between the black box (theatre) and the white cube (museum).
This approach is evident in their New Body Project, which they will present in 2024 – a diptych about mourning lost bodies and embodying a new world.
The first part, called WOMBTOMBS, is presented at MU Hybrid Art House in Eindhoven in spring of 2024. It consists of a series of hiding places that are both memorial sites and incubators. These spaces can be visited by the public and will host performances at certain times.
The second part, SONGOFSONGS, takes the form of a multimedia performance which will tour across the Netherlands in the fall of 2024. Here, new forms of existence are presented which were developed in the WOMBTOMBS, merging human, technological and digital ‘bodies’.
Photo: Annaleen Louwes
Toneelschuur Productions has selected five young directors to create several new theatre productions in the coming years. These are Abdel Daoudi, Jessie L’Herminez, Koen Verheijden, Angelo Ormskerk and Agnese Kumpina.
Each season, at least four new plays will see their premiere. In addition, Toneelschuur Productions has reserved space for ad hoc productions by guest directors.
Pictured: Dieven, Jessie L’Herminez, 2023
In a solo exhibition in the mezzanine of Stedelijk Museum Amsterdam, Nora Turato explores the function of language in a society flooded with information. What information sticks and what is ignored? She urges her audience to reevaluate their relation to language and its underlying power structures.
Pictured: Pool 2 (2018), Nora Turato
As in previous years, Muziekgebouw aan ‘t IJ will (co-)produce three new compositions in contemporary music annually between 2024 and 2027. Dutch and international composers will get the chance to develop their practice and present their own contribution to the canon of contemporary music.
All pieces will celebrate their world premiere at Muziekgebouw. The performances are realised in cooperation with Dutch and international partners including Asko|Schönberg, Cappella Amsterdam, Klangforum Wien and Collegium Vocale Gent.
The Ruhrtriennale is a renowned annual performing-arts festival in the German Ruhr area. A new artistic leader is appointed every three years. From 2024 to 2026, the festival is led by former ITA director Ivo van Hove. During this period, Ammodo supports several new (co-)productions each year which will premiere at the Ruhrtriennale and are created in cooperation with international partners, including ITA.