
Ammodo supports the creation of three new productions by choreographer Arno Schuitemaker: Remembering the Future (2023), The Day Before (2024) and Correspondences (2025).
Pictured: O S C A R, Arno Schuitemaker, 2021 (Photo: Bart Grietens)
Angela (A Strange Loop) is an interdisciplinary theatre project by Susanne Kennedy about the human relation to illness and death.
The piece combines high tech, philosophy, pop culture and literature as it follows a woman named Angela from birth until death and beyond.
Pictured: Three Sisters, Susanne Kennedy, 2020
Het Achtste Leven (Voor Brilka) is a large-scale theatre production directed by Daria Bukvić, based on Nino Haratischwili’s novel of the same name, a monumental family epic spanning six generations.
The story takes place in twentieth-century Georgia, against the backdrop of the rise and fall of the Soviet Union. Live music – from folk to pop – plays an important role in the play.
Cappella Amsterdam is a chamber choir consisting of over 25 people. For seasons 2022/2023 and 2023/2023, the choir will develop a number of new (co-)productions, both independently and in collaboration with partner institutions such as the Dutch National Opera, the Amsterdam Andalusian Orchestra, the Residentieorkest and the Netherlands Chamber Orchestra. Ammodo supports these new productions, which range from old and classical to contemporary music.
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution researches and produces performance work in all its shapes. Through artist commissions, If I Can’t Dance supports makers who find themselves at a defining moment their careers.
In 2022, If I Can’t Dance launches Edition IX: Bodies and Technologies, spanning two years. During this period, the organisation commissions four artists to create new work and invites three researchers to research performance art. In this edition, If I Can’t Dance explores how performance can help us better understand the relation between bodies and technologies. The artists are Black Speaks Back, Jessika Khazrik, Tchelet Weisstub and Constantina Zavitsanos and the researchers are Susanne Altmann, Samia Henni and Igiaba Scego.
Pictured: His Flowers Shed, Tchelet Weisstub, 2021
The Nexus Institute creates space for critical thinking by organising conferences, lectures and masterclasses and publishing essays. At the annual Nexus Conference, prominent contemporary thinkers discuss topics around democracy, science, art and civilisation. Important intellectuals who have joined these debates include Nobel Prize Laureates Amartya Sen, Wole Soyinka and Mario Vargas Llosa, philosophers Jürgen Habermas and Avishai Margalit, and authors Marilynne Robinson and J.M. Coetzee.
Ammodo supports the annual Nexus Conference to contribute to a high-level discourse on the big questions of life.
Pictured: Nobel Prize laureate Wole Soyinka
Photo: Jan Reinier van der Vliet
Every other year, the Royal Concertgebouw Orchestra selects four young conductors to participate in its Conducting Masterclass. This trajectory gives them the rare opportunity to work with the renowned Concertgebouw Orchestra and learn from an acclaimed conductor. This constitutes a huge step in their artistic development.
Ammodo has supported the Conducting Masterclass since its establishment in 2015. In 2022, the four participants will rehearse with the orchestra under the supervision of conductor Fabio Luisi.
Pictured: Fabio Luisi
Photo: Monika Ritterhaus
Festival d’Avignon is an annual theatre festival for new French and international productions. In editions 2023 and 2024, Ammodo supports the creation of two new (co-)productions per year.
In 2023, these are Welfare by Julie Deliquet and Antigone in the Amazon by Milo Rau. In 2024, they will be Mothers – A Song For The Wartime by Marta Górnicka and second production (to be determined).
Brideshead Revisited is a theatre production written by Florian Myjer and directed by Ward Weemhoff. It is based on Evelyn Waugh’s 1945 novel of the same name, in which a middleclass man tries to assimilate to the upper class.
The play investigates identity as it relates to class. Is it possible to climb the social ladder? Does class affect the way you experience sexuality?
Pictured: Brideshead Revisited, De Warme Winkel, 2023
Interdisciplinary theatre director Nicole Beutler is working on Rituals of Transformation, a trilogy about the climate crisis and a world in transition. The first part, GINKGO, premieres in 2022.
Ammodo supports the production and development of part two and three of the trilogy, ATMEN (2023) and GAIA (2025) respectively.
Together, the performances reflect on the future of humanity and our planet. In her work, Beutler combines theatre, dance and visual arts.
Picture: GINKGO, Nicole Beutler, 2022
Festival d’Aix-en-Provence, led by Pierre Audi since 2019, is the largest opera festival in France. The festival presents new recitals of existing works as well as new contemporary (opera) productions.
Ammodo supports the development of two new operas per year for the 2022, 2023 and 2024 festival editions. In 2022 these are Il Viaggio Dante by Pascal Dusapin, Frederic Boyer and Claus Guth, and Woman at Point Zero by Bushra El-Turk.
Pictured: Innocence, Kaija Saariaho, Festival d’Aix-en-Provence 2021
Every other year, the Concertgebouw presents SOUK, a two-day festival around Arabic music. Ammodo supports the sixth and seventh edition of the festival, in 2023 and 2025 respectively, to enhance the cross-fertilisation of Western and Arabic music and the collaboration between musicians.
Muziekgebouw aan ‘t IJ is a concert hall in Amsterdam specialised in contemporary music. In order to push the development of new music, Muziekgebouw aan ‘t IJ commissions new pieces by Dutch and international musicians and composers. Ammodo has supported these commissions since 2013.
As of 2023, Muziekgebouw aan ‘t IJ will initiate two to three large-scale international (co-)productions per year.
Pictured: Asko|Schönberg
Photo: Ada Nieuwendijk
The Academy is the training institute of the Royal Concertgebouw Orchesta in Amsterdam. During a season-long trajectory, promising young musicians hone their skills by participating in orchestra productions, receiving individual guidance and following masterclasses, workshops and training sessions. After participating, the musicians often take on positions in the Royal Concertgebouw Orchestra or other prominent orchestras in Europe.
By supporting the Academy, Ammodo aims to contribute to the growth of a new generation of musicians.
Pictured: Participants 2019/2020
Photo: Renske Vrolijk
SPRING Performing Arts Festival in Utrecht presents contemporary international performances at the crossroads of dance and theatre. Every year, the festival also produces new work by young and more established creators from over the globe.
Ammodo supports the production of new performances for editions 2024-2026.
Pictured: Narcosexuals, Dries Verhoeven, SPRING 2022
Freaky Friday Face/Off is a new theatre production written by Florian Myjer and directed by Ward Weemhoff.
The play investigates the politically sensitive subject of representation. Can a man play a woman? Can a white person play a black person? Can a heterosexual person play a queer person?
Pictured: Een oprechte ode aan de Ironie, De Warme Winkel, 2022
Greek-Belgian director, writer, actress and performance artist Naomi Velissariou is working on a new play called Atropa, about the lead-up and aftermath of the Trojan War.
The piece is based on a text by Tom Lanoye and focuses on the fate of the Greek and Trojan women. Velissariou explores contemporary issues such as identity politics, rape culture and oppression.
Ammodo supports the development of Atropa, which is realised in co-production with Theater Utrecht, Orkater and Toneelhuis Antwerpen.
Photo: Louise te Poele and Maison de Faux
Every summer, Holland Festival presents a wide range of international music, theatre, dance and opera in Amsterdam. The festival also (co-)produces new work each year. Ammodo supports these new (co-)productions to boost the development of the performing arts.
Holland Festival had invited Angélique Kidjo and Nicolas Stemann as associate artists for its 75th edition in 2022. This anniversary edition will see sixteen co-productions and initiatives, including the world premiere of Euphoria, a new audiovisual installation by Julian Rosefeldt.
In 2023 and 2024, the festival will present around ten international co-productions each edition, as well as a number of own initiatives focusing on Dutch mid-career artists and companies.
Pictured: Ine Aya’, Nursalim Yadi Anugerah/Miranda Lakerveld, Holland Festival 2021
Concertgebouw Connects is a programme around non-Western music. For each season, The Concertgebouw presents a series of concerts by outstanding musicians from all corners of the world and representing all genres.
Ammodo supports this concert series to contribute to a richer and more future-proof programming at the Concertgebouw.
Pictured: Angélique Kidjo
In 2021, the Royal Concertgebouw Orchestra appointed Pierre Audi as its first-ever Artistic Curator. This position was established with the aim of contributing to the never-ending evolution of classical music. During a three-year appointment, the Artistic Curator develops musical projects that transcend the traditional programming, in collaboration with international partners. The aim of the curatorship is to ground classical music in the present day and expand the artistic profile of the Royal Concertgebouw Orchestra.
Pictured: Pierre Audi
Photo: Sarah Wong
Julidans is an international contemporary dance festival taking place in Amsterdam every July. The festival presents dance performances by established and upcoming filmmakers. Since 2017, it also co-produces new works by mid-career choreographers with the aim of contributing to the evolution of dance and strengthening international collaborations. In many cases, the resulting performances mark a first step into larger venues for their creators.
Between 2019 and 2021, Ammodo supported one international Julidans co-production per year. This support has been continued for the period 2022-2024 and expanded to include a second co-production each year. In 2022, one of the supported productions is by Greek choreographer Christos Papadopoulos.
Pictured: Opus, Christos Papadopoulos, 2021
Ammodo supports the creation of three new productions by choreographer Arno Schuitemaker: Remembering the Future (2023), The Day Before (2024) and Correspondences (2025).
Pictured: O S C A R, Arno Schuitemaker, 2021 (Photo: Bart Grietens)
Festival d’Avignon is an annual theatre festival for new French and international productions. In editions 2023 and 2024, Ammodo supports the creation of two new (co-)productions per year.
In 2023, these are Welfare by Julie Deliquet and Antigone in the Amazon by Milo Rau. In 2024, they will be Mothers – A Song For The Wartime by Marta Górnicka and second production (to be determined).
SPRING Performing Arts Festival in Utrecht presents contemporary international performances at the crossroads of dance and theatre. Every year, the festival also produces new work by young and more established creators from over the globe.
Ammodo supports the production of new performances for editions 2024-2026.
Pictured: Narcosexuals, Dries Verhoeven, SPRING 2022
Angela (A Strange Loop) is an interdisciplinary theatre project by Susanne Kennedy about the human relation to illness and death.
The piece combines high tech, philosophy, pop culture and literature as it follows a woman named Angela from birth until death and beyond.
Pictured: Three Sisters, Susanne Kennedy, 2020
Brideshead Revisited is a theatre production written by Florian Myjer and directed by Ward Weemhoff. It is based on Evelyn Waugh’s 1945 novel of the same name, in which a middleclass man tries to assimilate to the upper class.
The play investigates identity as it relates to class. Is it possible to climb the social ladder? Does class affect the way you experience sexuality?
Pictured: Brideshead Revisited, De Warme Winkel, 2023
Freaky Friday Face/Off is a new theatre production written by Florian Myjer and directed by Ward Weemhoff.
The play investigates the politically sensitive subject of representation. Can a man play a woman? Can a white person play a black person? Can a heterosexual person play a queer person?
Pictured: Een oprechte ode aan de Ironie, De Warme Winkel, 2022
Het Achtste Leven (Voor Brilka) is a large-scale theatre production directed by Daria Bukvić, based on Nino Haratischwili’s novel of the same name, a monumental family epic spanning six generations.
The story takes place in twentieth-century Georgia, against the backdrop of the rise and fall of the Soviet Union. Live music – from folk to pop – plays an important role in the play.
Interdisciplinary theatre director Nicole Beutler is working on Rituals of Transformation, a trilogy about the climate crisis and a world in transition. The first part, GINKGO, premieres in 2022.
Ammodo supports the production and development of part two and three of the trilogy, ATMEN (2023) and GAIA (2025) respectively.
Together, the performances reflect on the future of humanity and our planet. In her work, Beutler combines theatre, dance and visual arts.
Picture: GINKGO, Nicole Beutler, 2022
Greek-Belgian director, writer, actress and performance artist Naomi Velissariou is working on a new play called Atropa, about the lead-up and aftermath of the Trojan War.
The piece is based on a text by Tom Lanoye and focuses on the fate of the Greek and Trojan women. Velissariou explores contemporary issues such as identity politics, rape culture and oppression.
Ammodo supports the development of Atropa, which is realised in co-production with Theater Utrecht, Orkater and Toneelhuis Antwerpen.
Photo: Louise te Poele and Maison de Faux
Cappella Amsterdam is a chamber choir consisting of over 25 people. For seasons 2022/2023 and 2023/2023, the choir will develop a number of new (co-)productions, both independently and in collaboration with partner institutions such as the Dutch National Opera, the Amsterdam Andalusian Orchestra, the Residentieorkest and the Netherlands Chamber Orchestra. Ammodo supports these new productions, which range from old and classical to contemporary music.
Festival d’Aix-en-Provence, led by Pierre Audi since 2019, is the largest opera festival in France. The festival presents new recitals of existing works as well as new contemporary (opera) productions.
Ammodo supports the development of two new operas per year for the 2022, 2023 and 2024 festival editions. In 2022 these are Il Viaggio Dante by Pascal Dusapin, Frederic Boyer and Claus Guth, and Woman at Point Zero by Bushra El-Turk.
Pictured: Innocence, Kaija Saariaho, Festival d’Aix-en-Provence 2021
Every summer, Holland Festival presents a wide range of international music, theatre, dance and opera in Amsterdam. The festival also (co-)produces new work each year. Ammodo supports these new (co-)productions to boost the development of the performing arts.
Holland Festival had invited Angélique Kidjo and Nicolas Stemann as associate artists for its 75th edition in 2022. This anniversary edition will see sixteen co-productions and initiatives, including the world premiere of Euphoria, a new audiovisual installation by Julian Rosefeldt.
In 2023 and 2024, the festival will present around ten international co-productions each edition, as well as a number of own initiatives focusing on Dutch mid-career artists and companies.
Pictured: Ine Aya’, Nursalim Yadi Anugerah/Miranda Lakerveld, Holland Festival 2021
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution researches and produces performance work in all its shapes. Through artist commissions, If I Can’t Dance supports makers who find themselves at a defining moment their careers.
In 2022, If I Can’t Dance launches Edition IX: Bodies and Technologies, spanning two years. During this period, the organisation commissions four artists to create new work and invites three researchers to research performance art. In this edition, If I Can’t Dance explores how performance can help us better understand the relation between bodies and technologies. The artists are Black Speaks Back, Jessika Khazrik, Tchelet Weisstub and Constantina Zavitsanos and the researchers are Susanne Altmann, Samia Henni and Igiaba Scego.
Pictured: His Flowers Shed, Tchelet Weisstub, 2021
Every other year, the Concertgebouw presents SOUK, a two-day festival around Arabic music. Ammodo supports the sixth and seventh edition of the festival, in 2023 and 2025 respectively, to enhance the cross-fertilisation of Western and Arabic music and the collaboration between musicians.
Concertgebouw Connects is a programme around non-Western music. For each season, The Concertgebouw presents a series of concerts by outstanding musicians from all corners of the world and representing all genres.
Ammodo supports this concert series to contribute to a richer and more future-proof programming at the Concertgebouw.
Pictured: Angélique Kidjo
The Nexus Institute creates space for critical thinking by organising conferences, lectures and masterclasses and publishing essays. At the annual Nexus Conference, prominent contemporary thinkers discuss topics around democracy, science, art and civilisation. Important intellectuals who have joined these debates include Nobel Prize Laureates Amartya Sen, Wole Soyinka and Mario Vargas Llosa, philosophers Jürgen Habermas and Avishai Margalit, and authors Marilynne Robinson and J.M. Coetzee.
Ammodo supports the annual Nexus Conference to contribute to a high-level discourse on the big questions of life.
Pictured: Nobel Prize laureate Wole Soyinka
Photo: Jan Reinier van der Vliet
Muziekgebouw aan ‘t IJ is a concert hall in Amsterdam specialised in contemporary music. In order to push the development of new music, Muziekgebouw aan ‘t IJ commissions new pieces by Dutch and international musicians and composers. Ammodo has supported these commissions since 2013.
As of 2023, Muziekgebouw aan ‘t IJ will initiate two to three large-scale international (co-)productions per year.
Pictured: Asko|Schönberg
Photo: Ada Nieuwendijk
In 2021, the Royal Concertgebouw Orchestra appointed Pierre Audi as its first-ever Artistic Curator. This position was established with the aim of contributing to the never-ending evolution of classical music. During a three-year appointment, the Artistic Curator develops musical projects that transcend the traditional programming, in collaboration with international partners. The aim of the curatorship is to ground classical music in the present day and expand the artistic profile of the Royal Concertgebouw Orchestra.
Pictured: Pierre Audi
Photo: Sarah Wong
Every other year, the Royal Concertgebouw Orchestra selects four young conductors to participate in its Conducting Masterclass. This trajectory gives them the rare opportunity to work with the renowned Concertgebouw Orchestra and learn from an acclaimed conductor. This constitutes a huge step in their artistic development.
Ammodo has supported the Conducting Masterclass since its establishment in 2015. In 2022, the four participants will rehearse with the orchestra under the supervision of conductor Fabio Luisi.
Pictured: Fabio Luisi
Photo: Monika Ritterhaus
The Academy is the training institute of the Royal Concertgebouw Orchesta in Amsterdam. During a season-long trajectory, promising young musicians hone their skills by participating in orchestra productions, receiving individual guidance and following masterclasses, workshops and training sessions. After participating, the musicians often take on positions in the Royal Concertgebouw Orchestra or other prominent orchestras in Europe.
By supporting the Academy, Ammodo aims to contribute to the growth of a new generation of musicians.
Pictured: Participants 2019/2020
Photo: Renske Vrolijk
Julidans is an international contemporary dance festival taking place in Amsterdam every July. The festival presents dance performances by established and upcoming filmmakers. Since 2017, it also co-produces new works by mid-career choreographers with the aim of contributing to the evolution of dance and strengthening international collaborations. In many cases, the resulting performances mark a first step into larger venues for their creators.
Between 2019 and 2021, Ammodo supported one international Julidans co-production per year. This support has been continued for the period 2022-2024 and expanded to include a second co-production each year. In 2022, one of the supported productions is by Greek choreographer Christos Papadopoulos.
Pictured: Opus, Christos Papadopoulos, 2021