
Jacco van Rheenen developed a groundbreaking form of microscopy, allowing individual cells to be tracked for weeks in a living organism. This new form of research provides valuable information about the behaviour of, and the interaction between, cells. For example, he was the first person to film the process of metastatic cancer.
Ewout Frankema studies the historical roots of global inequality between the poor and the rich. This inequality grew dramatically between 1750 and 1990, and since then it has hardly reduced at all. In his integrated historical approach, he combines research into the ecological and geographical conditions in which rural societies develop with the economic, political and social relations which are shaped by mankind.
Teun Bousema unravels the life cycle of Plasmodium falciparum, a parasite carried by mosquitoes that causes malaria. He is particularly interested in how a parasite from an infected human is then reintroduced to a new mosquito, and it was Bousema who discovered, among other things, that some people have an immune reaction that prevents this step from happening.
Toby Kiers is interested in the interaction between plants and micro-organisms in the soil. An active trade in nutrients takes place between roots and fungi which can be described using economic theory that is actually meant for human markets. Her original approach provides new insights into the evolution of societies in the natural world.
In 2013 Museum Boijmans Van Beuningen launched a series of solo exhibitions: Sensory Spaces. For each exhibition an artist is invited to develop new site specific work and to use the properties of the space in a surprising way. The selected artists are used make site specific works and are working in various disciplines including film, installations, performance art, photography, sculpture, painting and drawing. Participating artists include Oscar Tuazon, Sabine Hornig, Sara VanDerBeek and Mike Nelson. Ammodo supports Sensory Spaces because the series offers participating artists the opportunity to develop new work.
Olaf Nicolai, Sensory Spaces 10, photo: Studio Wilschut
Witte de With Centre for Contemporary Art presents Para |Fictions: a series of five consecutive solo presentations of works by internationally emerging artists who have not previously held a solo presentation in the Netherlands. They are asked to create new work that depicts an interaction between visual art and literature. The exhibition series will show in sequence work by Calla Henkel & Max Pitegoff, Oscar Santillan, Lucy Skaer, Mark Geffriaud, Laure Prouvost, Daniel Dewar & Grégory Gicquel, Rayyane Tabet and Dineo Seshee Bopape. Ammodo supports the exhibition series Para | Fictions because it contributes to the development of talented artists and offers them a platform to create and exhibit new work.
Daniel Dewar & Grégory Gicquel, tentoonstellingsoverzicht, 2017, photo: Aad Hoogendoorn.
Die Fremden by NTGent, directed by Johan Simons, is a multidisciplinary music theatre production which was developed in cooperation with the ensemble Asko | Schönberg. Die Fremden is a co-production with the Ruhrtriennale and the Rotterdam Schouwburg and will première in Marl in September 2016. It is based on the novel The Stranger (1942) by Albert Camus, the recently published novel The Meursault Investigation by Kamel Daoud (written in response to Camus’ book) and Submission in which Michel Houellebecq pictures a radical change in the political and cultural climate in the France of 2022. The cast includes Pierre Bokma and Elsie de Brauw. The visual artist Aernout Mik is creating new work for this production. Ammodo supports Die Fremden in order to contribute to the development of high quality international music theatre.
Die Fremden, 2016, NTGent
Componer Michel van der Aa (1970) is a pionieer in the field of contemporary music and new technology. His work emphasises the theatrical and visual aspects of music and converges music, theatre, opera and multimedia installations. Ammodo supports three of his new project, to be realised between 2019 and 2022: the VR installation Eight (2019), the film opera Upload (2021) and the music-theatre production The Book of Water (2022).
In 2022, Upload won an International Opera Award for best digital opera.
Michel van der Aa, Eight (2019)
Stephanie Wehner is working on a fundamental challenge: how entanglement can be created over long distances in order to then make a quantum internet possible. Entanglement is a central concept in quantum mechanics, enabling safe communication and super-fast coordination. She now wants to realise this in the planned quantum network around Delft.
Nadine Akkerman has described in unprecedented detail the letter correspondence of Elizabeth Stuart, a distant ancestor of Queen Elizabeth. With her innovative research methods, such as the use of 3D X-ray scanners to read unopened letters, she is a forerunner in discovering the role of women in the politics and espionage of the seventeenth century.
The Competition Programme is the heart of the programme of IDFA, yearly taking place in Amsterdam in November. The Competition Programme includes cinematic designed creative documentaries that show the personal vision of both national and international filmmakers. The total programme exists of seven categories: Feature-Length Competition, Mid-Length Competition, First Appearance Competition, Dutch Competition, DocLab Competition, Student Competition and Kids & Docs Competition. Ammodo supports the Competition Programme to contribute to the development of talented filmmakers and the exclusion of highly qualitative creative documentaries.
Guido Hendrikx, Strangers in Paradise, Opening of IDFA 2016
The Rijksakademie van beeldende kunsten focuses on developing talent through a two-year residency programme. Artists from around the world have the opportunity to work in optimal conditions to deepen and broaden their artistic practice. During their stay at the Rijksakademie the resident artists are supported by advisors on artistic, technical and theoretical levels. In addition to permanent advisors the Rijksakademie also uses the Guest Advisors Circle. This additional body is set up to focus attention on current developments in the arts and to address the interests and concerns of the individual artists. Ammodo supports the Guest Advisors Circle and by so doing contributes to the development of contemporary visual artists.
Nickel van Duijvenboden and Gwenneth Boelens experimenting with the wet collodiumproces, 2015, photo: Roy Taylor
Every year P/////AKT presents an exhibition series consisting of six conceptually connected solo exhibitions by emerging artists. The series offers talented young artists the opportunity to develop new work, gain experience in setting up a solo exhibition and the chance to attract a relevant audience. Participating artists include Kasper Bosmans, Raphael Langmair, Tim Hollander and Michiel Hilbrink. Ammodo has supported the exhibition programme of P/////AKT since 2015 because it contributes to the artistic development of the participating artists and contributes to the visibility of their work.
Daniel vom Keller, tentoonstellingsoverzicht Rear View, 2014, photo: Charlott Markus
Each year between 2015 and 2017 Toneelgroep Amsterdam led by Ivo van Hove are developing one new production, which is then shown on the Ruhrtriennale. The new productions are based on the eponymous novels by Louis Couperus. The text is edited by Eric de Vroedt. The trilogy comprises De Stille kracht, Van oude mensen, De dingen die voorbijgaan and De boeken der kleine zielen. Ammodo supports Trilogy from Toneelgroep Amsterdam as a contribution to the creation of new plays and also to the development and international visibility of Toneelgroep Amsterdam.
Toneelgroep Amsterdam, De Stille Kracht, 2015, photo: Jan Verweysveld
The Van Abbemuseum presents the internationally oriented exhibitionseries Positions, which is currently programmed for five years. Emerging and mid-career artists are invited to develop new work. Positions exhibits a diverse range of new artistic practices and gives direct insight into the themes that artists feel are urgent. Participating artists include Lawrence Abu Hamdan, Bouchra Khalili, Anna Boghiguian and Nástio Mosquito. Ammodo supports Positions because it focuses on the voice of the artist. Positions thereby offers an alternative to the larger thematic and research focused exhibitions and retrospective solo exhibitions that the museum also presents.
Anna Boghiguian, Salt Traders, 2015, photo: Peter Cox
Lenneke Alink takes the understanding of child maltreatment to a higher level with high-quality experimental research. She has a broad interest in the subject looking at both the role of chaos in the household, but also at that of the stress system in cases of abuse and neglect. Her work maps out the causes and consequences of this horrific problem – an important step towards solving it.
Birte Forstmann works at the intersection between our behaviour on the one hand and the anatomy of our brains on the other. How do they relate to each other? And what mechanisms in the brain make it possible for a person to respond to his or her environment? In her research she focuses mainly on the subcortex, a large structure in the middle of the brain that plays a major role in Parkinson’s disease.
The exhibition Stedelijk Contemporary runs since January 2016 and consists of new and existing work from young international artists. The exhibition addresses current social and artistic issues and in particular the growing influence of digital information technologies is being explored. Participating artists include Avery Singer, Magali Reus, Jordan Wolfson and Loretta Fahrenholz. Ammodo supports Stedelijk Contemporary in order to promote innovative and experimental art and to actively stimulate the development of a new generation of artists.
Jordan Wolfson, Female Figure, 2014, photo: Jonathan Smith
Since 2015 Foam presents a four-year exhibition series Next Level during the Unseen Photo Fair. Foam has chosen Next Level as a way of offering promising talented artists the opportunity to develop new work and increase their public recognition. The museum annually offers one artist the opportunity to organise his/her first major solo exhibition. Selection is conditional upon the artist having already proved him/herself and showing that he/she is innovative in the use of the medium of photography. The first two artists who have been invited to take part in the series are Anne De Vries (The Hague, 1977) and Melanie Bonajo (Heerlen, 1978). They have been asked to create new work for the exhibition. Ammodo supports Next Level because the series contributes to the creation of new work, the development of the participating artists and the display of their work to an international audience.
Anne de Vries, Steps of Recursion, Tuned XXL, 2012, photo: Anne de Vries
NBprojects realises projects of the choreographer and curator Nicole Beutler. For the performances 6: THE SQUARE and 7: TRYPTICHON Beutler was inspired by the geometric principles of the Bauhaus: circular, square and triangular shapes form a substantive theme. 6: THE SQUARE (2016) is concerned with the square and in 7: TRYPTICHON (2017) Beutler moves on to the triangle/the trinity. Beutler’s work explores the idea of the Gesamtkunstwerk as a conception of art in which different disciplines such as architecture, design and theater are intertwined. Ammodo supports 6: THE SQUARE and 7: TRYPTICHON to contribute to the development of Nicole Beutler who, with these performances, is taking the plunge as a choreographer into the world of larger halls and theatres.
THE SQUARE, NBprojects, 2016, photo: Anja Beutler
RAW Academy is a postgraduate course for international artists, curators and critics in Dakar, initiated by Koyo Kouoh, curator and founder of Raw Material Company. In Senegal, the traditional academies are dominant and there are few opportunities for young artists who have completed their training to continue to develop in an innovative and independent manner. Ammodo supports RAW Academy as a way of contributing to the creation of a high-quality postgraduate institution in Senegal and promoting the exchange between different artistic media.
The base, photo: RAW Material Company
Jacco van Rheenen developed a groundbreaking form of microscopy, allowing individual cells to be tracked for weeks in a living organism. This new form of research provides valuable information about the behaviour of, and the interaction between, cells. For example, he was the first person to film the process of metastatic cancer.
Componer Michel van der Aa (1970) is a pionieer in the field of contemporary music and new technology. His work emphasises the theatrical and visual aspects of music and converges music, theatre, opera and multimedia installations. Ammodo supports three of his new project, to be realised between 2019 and 2022: the VR installation Eight (2019), the film opera Upload (2021) and the music-theatre production The Book of Water (2022).
In 2022, Upload won an International Opera Award for best digital opera.
Michel van der Aa, Eight (2019)
The Van Abbemuseum presents the internationally oriented exhibitionseries Positions, which is currently programmed for five years. Emerging and mid-career artists are invited to develop new work. Positions exhibits a diverse range of new artistic practices and gives direct insight into the themes that artists feel are urgent. Participating artists include Lawrence Abu Hamdan, Bouchra Khalili, Anna Boghiguian and Nástio Mosquito. Ammodo supports Positions because it focuses on the voice of the artist. Positions thereby offers an alternative to the larger thematic and research focused exhibitions and retrospective solo exhibitions that the museum also presents.
Anna Boghiguian, Salt Traders, 2015, photo: Peter Cox
Ewout Frankema studies the historical roots of global inequality between the poor and the rich. This inequality grew dramatically between 1750 and 1990, and since then it has hardly reduced at all. In his integrated historical approach, he combines research into the ecological and geographical conditions in which rural societies develop with the economic, political and social relations which are shaped by mankind.
Stephanie Wehner is working on a fundamental challenge: how entanglement can be created over long distances in order to then make a quantum internet possible. Entanglement is a central concept in quantum mechanics, enabling safe communication and super-fast coordination. She now wants to realise this in the planned quantum network around Delft.
Lenneke Alink takes the understanding of child maltreatment to a higher level with high-quality experimental research. She has a broad interest in the subject looking at both the role of chaos in the household, but also at that of the stress system in cases of abuse and neglect. Her work maps out the causes and consequences of this horrific problem – an important step towards solving it.
Teun Bousema unravels the life cycle of Plasmodium falciparum, a parasite carried by mosquitoes that causes malaria. He is particularly interested in how a parasite from an infected human is then reintroduced to a new mosquito, and it was Bousema who discovered, among other things, that some people have an immune reaction that prevents this step from happening.
Nadine Akkerman has described in unprecedented detail the letter correspondence of Elizabeth Stuart, a distant ancestor of Queen Elizabeth. With her innovative research methods, such as the use of 3D X-ray scanners to read unopened letters, she is a forerunner in discovering the role of women in the politics and espionage of the seventeenth century.
Birte Forstmann works at the intersection between our behaviour on the one hand and the anatomy of our brains on the other. How do they relate to each other? And what mechanisms in the brain make it possible for a person to respond to his or her environment? In her research she focuses mainly on the subcortex, a large structure in the middle of the brain that plays a major role in Parkinson’s disease.
Toby Kiers is interested in the interaction between plants and micro-organisms in the soil. An active trade in nutrients takes place between roots and fungi which can be described using economic theory that is actually meant for human markets. Her original approach provides new insights into the evolution of societies in the natural world.
The Competition Programme is the heart of the programme of IDFA, yearly taking place in Amsterdam in November. The Competition Programme includes cinematic designed creative documentaries that show the personal vision of both national and international filmmakers. The total programme exists of seven categories: Feature-Length Competition, Mid-Length Competition, First Appearance Competition, Dutch Competition, DocLab Competition, Student Competition and Kids & Docs Competition. Ammodo supports the Competition Programme to contribute to the development of talented filmmakers and the exclusion of highly qualitative creative documentaries.
Guido Hendrikx, Strangers in Paradise, Opening of IDFA 2016
The exhibition Stedelijk Contemporary runs since January 2016 and consists of new and existing work from young international artists. The exhibition addresses current social and artistic issues and in particular the growing influence of digital information technologies is being explored. Participating artists include Avery Singer, Magali Reus, Jordan Wolfson and Loretta Fahrenholz. Ammodo supports Stedelijk Contemporary in order to promote innovative and experimental art and to actively stimulate the development of a new generation of artists.
Jordan Wolfson, Female Figure, 2014, photo: Jonathan Smith
In 2013 Museum Boijmans Van Beuningen launched a series of solo exhibitions: Sensory Spaces. For each exhibition an artist is invited to develop new site specific work and to use the properties of the space in a surprising way. The selected artists are used make site specific works and are working in various disciplines including film, installations, performance art, photography, sculpture, painting and drawing. Participating artists include Oscar Tuazon, Sabine Hornig, Sara VanDerBeek and Mike Nelson. Ammodo supports Sensory Spaces because the series offers participating artists the opportunity to develop new work.
Olaf Nicolai, Sensory Spaces 10, photo: Studio Wilschut
The Rijksakademie van beeldende kunsten focuses on developing talent through a two-year residency programme. Artists from around the world have the opportunity to work in optimal conditions to deepen and broaden their artistic practice. During their stay at the Rijksakademie the resident artists are supported by advisors on artistic, technical and theoretical levels. In addition to permanent advisors the Rijksakademie also uses the Guest Advisors Circle. This additional body is set up to focus attention on current developments in the arts and to address the interests and concerns of the individual artists. Ammodo supports the Guest Advisors Circle and by so doing contributes to the development of contemporary visual artists.
Nickel van Duijvenboden and Gwenneth Boelens experimenting with the wet collodiumproces, 2015, photo: Roy Taylor
Since 2015 Foam presents a four-year exhibition series Next Level during the Unseen Photo Fair. Foam has chosen Next Level as a way of offering promising talented artists the opportunity to develop new work and increase their public recognition. The museum annually offers one artist the opportunity to organise his/her first major solo exhibition. Selection is conditional upon the artist having already proved him/herself and showing that he/she is innovative in the use of the medium of photography. The first two artists who have been invited to take part in the series are Anne De Vries (The Hague, 1977) and Melanie Bonajo (Heerlen, 1978). They have been asked to create new work for the exhibition. Ammodo supports Next Level because the series contributes to the creation of new work, the development of the participating artists and the display of their work to an international audience.
Anne de Vries, Steps of Recursion, Tuned XXL, 2012, photo: Anne de Vries
Witte de With Centre for Contemporary Art presents Para |Fictions: a series of five consecutive solo presentations of works by internationally emerging artists who have not previously held a solo presentation in the Netherlands. They are asked to create new work that depicts an interaction between visual art and literature. The exhibition series will show in sequence work by Calla Henkel & Max Pitegoff, Oscar Santillan, Lucy Skaer, Mark Geffriaud, Laure Prouvost, Daniel Dewar & Grégory Gicquel, Rayyane Tabet and Dineo Seshee Bopape. Ammodo supports the exhibition series Para | Fictions because it contributes to the development of talented artists and offers them a platform to create and exhibit new work.
Daniel Dewar & Grégory Gicquel, tentoonstellingsoverzicht, 2017, photo: Aad Hoogendoorn.
Every year P/////AKT presents an exhibition series consisting of six conceptually connected solo exhibitions by emerging artists. The series offers talented young artists the opportunity to develop new work, gain experience in setting up a solo exhibition and the chance to attract a relevant audience. Participating artists include Kasper Bosmans, Raphael Langmair, Tim Hollander and Michiel Hilbrink. Ammodo has supported the exhibition programme of P/////AKT since 2015 because it contributes to the artistic development of the participating artists and contributes to the visibility of their work.
Daniel vom Keller, tentoonstellingsoverzicht Rear View, 2014, photo: Charlott Markus
NBprojects realises projects of the choreographer and curator Nicole Beutler. For the performances 6: THE SQUARE and 7: TRYPTICHON Beutler was inspired by the geometric principles of the Bauhaus: circular, square and triangular shapes form a substantive theme. 6: THE SQUARE (2016) is concerned with the square and in 7: TRYPTICHON (2017) Beutler moves on to the triangle/the trinity. Beutler’s work explores the idea of the Gesamtkunstwerk as a conception of art in which different disciplines such as architecture, design and theater are intertwined. Ammodo supports 6: THE SQUARE and 7: TRYPTICHON to contribute to the development of Nicole Beutler who, with these performances, is taking the plunge as a choreographer into the world of larger halls and theatres.
THE SQUARE, NBprojects, 2016, photo: Anja Beutler
Die Fremden by NTGent, directed by Johan Simons, is a multidisciplinary music theatre production which was developed in cooperation with the ensemble Asko | Schönberg. Die Fremden is a co-production with the Ruhrtriennale and the Rotterdam Schouwburg and will première in Marl in September 2016. It is based on the novel The Stranger (1942) by Albert Camus, the recently published novel The Meursault Investigation by Kamel Daoud (written in response to Camus’ book) and Submission in which Michel Houellebecq pictures a radical change in the political and cultural climate in the France of 2022. The cast includes Pierre Bokma and Elsie de Brauw. The visual artist Aernout Mik is creating new work for this production. Ammodo supports Die Fremden in order to contribute to the development of high quality international music theatre.
Die Fremden, 2016, NTGent
Each year between 2015 and 2017 Toneelgroep Amsterdam led by Ivo van Hove are developing one new production, which is then shown on the Ruhrtriennale. The new productions are based on the eponymous novels by Louis Couperus. The text is edited by Eric de Vroedt. The trilogy comprises De Stille kracht, Van oude mensen, De dingen die voorbijgaan and De boeken der kleine zielen. Ammodo supports Trilogy from Toneelgroep Amsterdam as a contribution to the creation of new plays and also to the development and international visibility of Toneelgroep Amsterdam.
Toneelgroep Amsterdam, De Stille Kracht, 2015, photo: Jan Verweysveld
RAW Academy is a postgraduate course for international artists, curators and critics in Dakar, initiated by Koyo Kouoh, curator and founder of Raw Material Company. In Senegal, the traditional academies are dominant and there are few opportunities for young artists who have completed their training to continue to develop in an innovative and independent manner. Ammodo supports RAW Academy as a way of contributing to the creation of a high-quality postgraduate institution in Senegal and promoting the exchange between different artistic media.
The base, photo: RAW Material Company