In his new choreography, Jan Martens gives the stage to a heterogeneous group of dancers spanning several generations. By allowing them to be their uninhibited selves, Martens highlights and embraces a multiplicity of identities. any attempt will end in crushed bodies and shattered bones saw its world premiere at Festival d’Avignon on 18 July 2021. […]
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This year the 30th edition of Julidans will take place in Amsterdam. The main program of Julidans brings together distinct performances of the icons of contemporary dance and the great innovators of the moment. The main program takes place in the Grote Zaal, the Rabozaal and Studio 1 of Internationaal Theater Amsterdam and in Theater […]
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Juniors Go Dutch is a new production from the Junior Company, the youth department of the National Ballet. The programme consists of a compilation of eight choreographies, with three world premieres from Wubkje Kuindersma, Peter Leung and Ton Simons. The Junior Company offers young dancers a two year training programme during which they are given the opportunity to […]
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In collaboration with Ballet National de Marseille, ICKamsterdam presents the multidisciplinary danceproduction Extremalism. Thirty dancers, from both dancecompanies, explore the question who the human body reacts on extreme situations. Extremalism is part of the Lange lijnen programma, that consist of in total five danceproductions, among which Etranger (2013) and Soprano’s (2014). ickamsterdam.com
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NBprojects realises projects of the choreographer and curator Nicole Beutler. For the performances 6: THE SQUARE and 7: TRYPTICHON Beutler was inspired by the geometric principles of the Bauhaus: circular, square and triangular shapes form a substantive theme. 6: THE SQUARE (2016) is concerned with the square and in 7: TRYPTICHON (2017) Beutler moves on […]
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The co-production 2666 by French director Julien Gosselin and his company Si vous pouviez lécher mon coeur is a large-scale musical montage performance, based on the novel of the same name by Chilean author Roberto Bolaño. According to Gosselin himself, he is engaged by the innovative and confrontational way Bolaño addresses the issue of violence […]
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